Kandinsky-MAE Alexander E. (Ochre
) Born in Russia, Ochre, 1957, August 26. Orphan.

1969 -1973 years. - School of Art, Professor S. Borkowski.
1973 -1977 years. - Nizhny Tagil, the art department and graphic Pedagogical Institute, Professor VNPryanishnikov.
1972 -1975 years. - Summer internships in Moscow in E. Kibrik.
1978 -1980 years. - The service in the Russian armed forces, air defense systems.
1981 -1987 years. - Higher thin. School. Mukhina, Demin workshop.
1982 -1985 years. - The summer training with Dr. EE Bredera, Lyon, France,
1987 -1992 years. - Studied and worked abroad.
1990 - Sorbonne. Doctorate. Subject: French demi-monde, the effect of the MAE.

Two. Creative direction.

Since 2005, the founder of a new movement in painting \"The sublimatizm expressive.\"

Preamble:
The relationship of light is proportional to the ratio of color relations, equal modulations vibratsentralnyh promising aspects lumen colored plastic synthesized in mirooschuschencheskih subconscious perceptions of the central and peripheral nervous system of the human body is pushed out a kind of motor skills, behavioral balanced energy guide each individual psychopath. (The color flow ratio is proportional to the light color relationships produces color Color creates vibrations vibrations give rise to movement Movement creates a model - .... A model of behavior, or any other ..., .. . and so on and so forth).

Explanation:
Sublimativnyh beam characteristics associated with each colored plastic, the space-time dimension, psychogenic perception of space, which influence the subconscious mind of the person, makes him perceive art as a means of liberation, outside, within personal experience. Flows ... modernized, thanks withstood the vicissitudes of life in the powerful field of light-color (red, blue, yellow, black, green, white) ... the color of the field, local areas clearly separated parts of the brain responsible for this or that color.
The influence of color, transforming light flows depends on the time (time of year, time of day, emotional state, the balance of mental overload and bulbs, sun, glare, reflections, shadows, full of darkness . well as pain, joy, pleasure,. hatred, indifference All this can be multiplied by psychogenesis Divide the influence of external and internal environment, the compressed time: .. the past, present and future This is what makes it possible to paint at any time spatial context, regardless of the reality of the present, past or future.

Realize number 1341
... Vibration modulation and their relationship. (Currents colored, colored plastic ...)
  If you take something vibrant color as (exposed to light), the plane of the canvas in the interior of the structure, the surface of the walls, ceiling, or anything else (including the color), fully static, that is metaphysics. All your static spaceplane give additional color vibration, if vibration zhesche hundred percent full. (Something like, cold-hot, bright, dark, etc.) These opposites subconsciously but give rise to specific and exceptional movement. The eye does not see this movement. For eye color and more monumental static fact. Therefore, there is a division, the subconscious, solid colors, as well as the perception of each color separately, that is, locally. Mixed Colors subconscious is not so, and therefore does not have - hence the lack of dynamics, which is the expression. Any canvas, painted a mixed color, can be considered dead, deprived of life, can not influence human perception of inner awareness and contemplation. There is - the complete absence of feedback. This, ultimately depriving the viewer diluted empathy and spiritually. Thus, the viewer can not participate in the creative process

Realize 236th
So ... we will try to keep the abstract, plyumper flat plane concept. In particular, the relationship between surrealism and metaphysical objects using surrealistic and realistic naturalism. We will try to express the full subconscious ...

The effect of MAE:
If stabilize the shape, ie, remove plastic breaks in the pattern, then we lose almost half of emotional stress in the figure and, as a result, almost all of the dynamics.
How to address the issue of stability and the lack of it?
That\'s all and cunning: the lack of stability gives a person extra vitality and mobility, visual perception and contemplation of the image.
Thus, if the figure is divided into parts that are not interrelated - this is the dynamic? Clear. But maybe then tell me why the person you are adding uneven volume flat structure? Why not broadcast tone pattern? That is the This is the effect of MAE. This question addressed in the master\'s thesis - \"The effect of the MFA.\"